Wolfgang Tillmans
“To look without fear”
New York,
“The viewer...should enter my work through their own eyes, and their own lives,” the photographer Wolfgang Tillmans has said. An incisive observer and a creator of dazzling pictures, Tillmans has experimented for over three decades with what it means to engage the world through photography. Presenting the full breadth and depth of the artist’s career, Wolfgang Tillmans: To look without fear invites us to experience the artist’s vision of what it feels like to live today.
From ecstatic images of nightlife to abstract images made without a camera, sensitive portraits to architectural slide projections, documents of social movements to windowsill still lifes, astronomical phenomena to intimate nudes, Tillmans has explored seemingly every imaginable genre of photography, continually experimenting with how to make new pictures. He considers the role of the artist to be that of “an amplifier” of social and political causes, and his approach is animated by a concern with the possibilities of forging connections and the idea of togetherness.
still life, New York (2001). Image courtesy of the artist, David Zwirner, New York / Hong Kong, Galerie Buchholz, Berlin / Cologne, Maureen Paley, London
Tillmans has rejected the prevailing conventions of photographic presentation, continuously developing connections between his pictures and the social space of the exhibition. In his installations, unframed prints are taped to the walls or clipped and hung from pins, and framed photographs appear alongside magazine pages. Constellations of images are grouped on walls and tabletops as photocopies, color or black-and-white photographs, and video projections, exemplifying the artist’s idea of visual democracy in action. “I see my installations as a reflection of the way I see, the way I perceive or want to perceive my environment,” Tillmans has said. “They’re also always a world that I want to live in.”
