Billy Childish
remember all the
high and exalted things
remember all the low
and broken thingsNew York, West 22nd Street
The prolific British artist, musician, and writer has produced hundreds of albums and dozens of volumes of fiction and poetry. For his fifth exhibition with the gallery Childish has created a body of work emblematic of his “radical traditionalist” approach. Pulling from themes found throughout art history—the bather, a lone figure in a landscape, a sunset—Childish presents intensely personal vignettes that feel archetypical, vibrating with the kinetic energy of a moment lived.
““I make a picture in the same way a child does—something ‘out there’ interests me. Making a painting of that ‘something’ then joins me with the universal creator/creation in a more intent way than just being an observer.” Childish”
While working in a state of flow is essential to the creative process of any artist, for Childish this state represents the entirety of artistic production. Working intuitively and quickly, most of his highly gestural paintings are created in a single session without any revision. Childish is also an adept woodblock printer and he produces satirical and activist imagery with his London art cooperative, L-13 Light Industrial Workshop. His material approach to printmaking extends to Childish’s painting practice where color and line are emphasized through a flattening of each composition. His style is often compared to the expressionist painters of the early 20th century, such as Vincent Van Gogh, Kurt Schwitters, or Edvard Munch, however, for Childish, it is the embodiment of these artists’ roles within society that is most compelling. An unabashed universalist, Childish considers artistry to be the inheritance of every human being, a method to capture the expressive impulse and visualize the powerful lure of beauty.
BILLY CHILDISH swimmer under water, 2019 Oil and charcoal on linen 72.05 x 120.08 inches 183 x 305 cm
Utterly unironic and vividly familiar, a Childish painting can be interpreted the way one might interpret a dream. In one painting, a woman swimming underwater may represent the unconscious, while in another painting, a woman wading out to a cave could represent the dark entry into the unknown.
