Sprüth Magers

This latest series of dye sublimation prints focuses on images of Jasper Johns' iconic painting Three Flags (1958), taken earlier this year at the Whitney Museum of American Art. Lawler is a steadfast investigator of the making of pictures. Using long exposures, swift camera movements and cropping, Lawler creates abstract images of this well-known motif. Here, these analog techniques both manipulate the image and comment on both perception and the fast-paced flood of images that marks everyday life in the digital era.

through December 23, 2022

James Fuentes

A true polymath, Holder was a painter, photographer, choreographer, director, costume designer, dancer, actor, and composer born in Port of Spain, Trinidad and Tobago. In 1953, during his early twenties, Holder relocated to New York City, a move financed by the sale of his paintings and by 1956 he would receive a Guggenheim fellowship in painting. Focusing on Holder’s remarkable work as a painter, this exhibition spans the 1970s through the later part of his career.

through December 18, 2022

Marlborough

The exhibition is comprised of rare and important prints produced by the artist between 1906 and 1947 in a wide range of techniques, including etching, lithograph, drypoint, and aquatint.

through January 14, 2023

Yossi Milo Gallery

His intimate portraits and carefully arranged figurative compositions present men in the throes of love affairs, privately lazing in the safety of secluded rooms, or meandering covertly through the dim corridors of old cities. Through thinly veiled windows, doors left ajar, alleyways, and computer screens, viewers of Jaspers’ work are made voyeurs into the private lives of contemporary urbanites, queer existence, and underground communities.

through December 3, 2022

Galerie Lelong & Co.

Celebrated for her monumental sculptures in outdoor and indoor spaces, von Rydingsvard rigorously innovates her visual language in movement and intensity, her practice—that now numbers more than five decades—is suffused with a rich synthesis of form and emotion. The gallery’s exhibition follows a tour de force in Poland; a major retrospective to three museums that marked von Rydingsvard’s homecoming. The artist was born to a Polish-Ukrainian family that was deported for forced labor in Germany during World War II and emigrated to the U.S. after.

through December 17, 2022

Skarstedt

In this new body of work, the annual Halloween parade in Fischl’s home of Sag Harbor, known as the “Ragamuffin Parade,” sets the scene for explorations into themes of exhaustion, isolation, disappointment, and passivity. Since the 1980s, Fischl has produced narratives that speak to the façade of happiness latent within the middle-class America­n dream and the masks one must wear to survive in contemporary society. Now, these guises take center stage as Fischl explores costumes as a site of self-projection and what these choices of dress reveal about our present moment.

through October 29, 2022

Marianne Boesky Gallery

In the new works on view, Mckinney expands and deepens her exploration into female subjecthood. The show’s title, Golden Hour reflects the mood and aesthetic sensibility of her paintings––the soft, resonant light of a particular time of day that often inspires self-reflection and signals the beginning of a period of relaxation. Emotionally as much as physically, Golden Hour marks the transition from the external world of work and play to the internal world of rest and solitude.

through November 12, 2022

Acquavella Galleries

In this exhibition, Sachs investigates the accepted understandings, assumptions, epistemology, and consensus of what constitutes a spaceship. By tracing its evolving historical and linguistic understanding, the artist explores a spaceship’s physical, metaphysical, and spiritual possibilities. Sachs offers the formal criteria defining a spaceship as an object that has the ability to move us from one state to another. In its most commonly understood form, a spaceship takes us from the dimension of earth to space.

through November 26, 2022

Lehmann Maupin

Working across various media, including sculpture, drawing, photography, and film, Suh engages ideas of home, memory, psychic space, and displacement. In this exhibition, Suh expands on his exploration of the politics and subjectivity of memory, a concept that has remained central to his practice over the last 25 years.

through October 29, 2022

Vito Schnabel Gallery

Schnabel’s embrace of unconventional materials and exploration of varied pictorial surfaces have long defined his acclaimed practice, which extends beyond painting to include sculpture and film. He approaches the world in a sensorial way, locating images, emotions, and ideas that impregnate the materials and surfaces of his paintings.

through October 22, 2022

Anna Zorina Gallery

Bradford’s process begins with the slightest of inclinations, such as a passing memory of seeing a Watteau from across a gallery as a young artist; the light, density, the feeling of overwhelming rightness the work exuded. But as this sensation begins to take form, it is processed, relentlessly, through an almost violent, expressionist technique.

through October 15, 2022

Meredith Rosen Gallery

The series began unexpectedly in 1995 when Rosenberg brought a set of face paints to her daughter Carmen's Berlin kindergarten. Carmen's teacher, Marie Schmitz, painted the children's faces, and Rosenberg, in turn, photographed them. That summer, Rosenberg exhibited these works at Kunstlerhaus Bethanien. Back in New York City, she invited artist friends to paint on children's faces.

through October 29, 2022

Galerie Lelong & Co.

The figures in Sunstrum’s works—often her alter-egos—are situated in undefinable landscapes; an exploration of cultural embeddedness within geology that reflects overlapping issues of colonialism, capitalism, and so-called global migration crises. With references to domestic environments, rurality, and systems of control, Sunstrum’s work journeys into processes of disintegration—processes that are at once intimate, violent, sensual, madding, and tender—in the pursuit of home and wholeness.

through October 22, 2022

Marlborough New York

Given the associations with the earlier artists of the historic avant-garde including Duchamp and Picabia, along with his involvement with Equipo Crónica and Equipo Realidad, Arroyo holds a unique position in the critique, vitality, and global dispersion of American Pop Art.

through October 29, 2022

Pace Gallery

On view in the gallery’s first-floor library, the exhibition, titled 50% Unboxed, will feature selections from Slinger’s iconic 1971 artist’s book and collage series 50% The Visible Woman, through which the artist investigates the mapping and unveiling of the feminine subconscious. Alongside these historic works, the exhibition will also include Slinger’s new photo collage series My Body in a Box (2020-21). Pace’s presentation follows Blum & Poe’s 2021 exhibition of Slinger’s work, titled 50/50, in Los Angeles.

through October 22, 2022

David Zwirner

In the fall of 1971, in the aftermath of Arbus’s death in July, her friend, colleague, and fellow artist Marvin Israel approached John Szarkowski, the legendary director of photography at The Museum of Modern Art, about the prospect of a retrospective exhibition of her work. Szarkowski, who had begun championing Arbus’s photographs in the late 1960s, quickly agreed to do the show.

through October 22, 2022